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Under its appearance of a prosaic love triangle and its airs of innocent boulevard comedy, Comédie weaves a theater of the absurd with existential ramifications. After hanging time in In the Land of Winter, a variation around Pavese, Silvia Costa once again comes up against the enigma of the human psyche. Trained in visual arts, she offers a new creation in two stages: a staging of Beckett's text, extended by Wry smile Dry sob (smirk, sob without tears), a sensory rewriting, served by a scenic space with drawers which multiplies the constituent layers of a being.