Lupin the 3rd: The Mystery of Mamo_peliplat

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Lupin the 3rd: The Mystery of Mamo (1978)

PG-13 (US) | Japan | Japanese | 102 min

Directed by: Sôji Yoshikawa, Yasuo Ôtsuka

6.9

Action Adventure Animation Comedy Fantasy Sci-Fi

In Transylvania, Lupin III, the notorious international thief, is hung and no one is more surprised to learn of that than Lupin III himself, who was alive and well and nowhere near that area at that time. The answer to that mystery, begins to surface when Lupin gets a seemingly ordinary pebble from an Egyptian pyramid for his would-be girlfriend, Fujiko, the mercenary thief, who is in the employ of a mysterious figure known only as Mamo. Intrigued by this bizarre request, Lupin decides to get involved and finds himself in an international chase that has a greater scope and danger than he has ever faced.

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Cast & Crew

Sôji Yoshikawa

Director

Yasuo Ôtsuka

Director

Yasuo Yamada

Arsène Lupin IIIvoice

Eiko Masuyama

Fujiko Minevoice

Kiyoshi Kobayashi

Daisuke Jigenvoice

Makio Inoue

Goemon Ishikawa XIIIvoice

Videos (2)

Lupin the 3rd: The Mystery of Mamo (1978) Original Trailer [4K]

Trailer

Lupin III: Mystery of Mamo 4K Ultra HD Trailer

Teaser

Collection

Lupin the 3rd

Release Date

Japan

No data

1978-12-16

Italy

No data

1980-01

Denmark

No data

1980-07-14

Also Known As (A.K.A.)

Lupin the 3rd: The Mystery of Mamo

(Original title)

Lupin III: El secreto de Mamo

Argentina

Lupin III: O Segredo de Mamo

Brazil

Parent Guide

The main female character is introduced lying on a bed, completely nude. She then awakens and takes a shower; an unseen man makes (non-sexual) comments on her beauty, to which she responds. She then discovers that the man has been filming her, and she deactivates the camera. She then dresses up in a skintight leather jumpsuit, forgiving the man while telling him not to act inappropriately again. Throughout most of the sequence, her breasts (including nipples) and posterior are visible.

The protagonist's love/lust/desire for the main female character is an key theme in the film.

A woman accepts a man's offer to a date, and she starts applying makeup. Impatient, the man makes a mildly sexual remark on how she doesn't need to.

A man takes a shower. He is nude, but nothing objectionable is seen, and the (brief) scene is mainly intended for comedic purposes.

A woman tells a man of the sadistic nature of one of the villains. In a flashback, the henchman is shown whipping the woman at the hips, which tears the back of her jumpsuit. Her backside is shown briefly before returning to reality. The man comments on how he rarely finds himself in such situations.

A man proclaims his love for a woman, and she offers him to kiss her. The man chuckles mischievously, but the woman, noticing his perverted behaviour, smacks him on the face.

A man attempts to (comically) force himself onto a woman, and cartoonishly dives at her, with his pants coming off in the process. However, he is knocked out by sleeping drugs previously given to him by the woman, and he falls to the ground. His rear is shown as he falls. The woman is wearing lingerie throughout the scene.

A henchman chases a man through a classical painting depicting naked women.

A woman wears a somewhat revealing outfit (tight pink jeans and a bra-like top).

A man and woman playfully begin to make out, but are stopped by the main villain, who's repulsed by what he's seeing.

The main villain's lair includes copies of Michelangelo's Sistine Chapel paintings of Adam and Eve and the Creation of Adam. The paintings depict nudity in a non-sexual manner.

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