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100 Cans, the story is about land mines. It follows a Canadian/ Iraqi urban artist who goes to Yemen in midst of a heated conflict. Upon his arrival, he is astounded by all the ordeals, he then meets with Yemeni artists, land mine extraction teams, and with the local community to create art as a relief. Ambivalent emotions and challenges create a tone of hope and authentic documentation of the threats of land mines and the power of dialogue. Filming takes place in Mocha, no longer a major trading hub or a coffee market, the economy is largely based upon fishing. The new art entices a lot of interest, children and struggling families gossip about the foreign visitors and about the colors they brought to town.