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In 1961 Jean Rouch shot La pyramide humaine, a masterpiece that draws suggestive lines between a political conflict and the art of creation itself. We discovered it in the summer of 2012 when we were commissioned to shoot the stay of some Saharawi children in Barcelona who were going to spend the summer months with host families. Nothing seemed more inspiring than diving into the essence of that film. And we dared to play. An audiovisual experiment, an imperfect story with three protagonists: a Saharawi friend in exile, a group of kids from the desert and a theater play.