Observatório (1982)

Film about the violence of wars and love relationships in the post-modernity of large spaces. Observatory jumps between the relationship of a young couple and the post-apocalyptic climate of the Cold War. With tortuous psychology and virtuous montage, the film is traversed by various visual manipulations such as the use of archival images through the filming of televisions, cinema screens, paintings, photographs, in addition to constant interruptions in the narrative flow, pausing the image.