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Harry Little is a veteran filmmaker - 36 features in 36 years - and while he was hot and trendy in the Seventies and Eighties, he's considered a little out of touch with today's audiences. Harry's films have real people speaking real dialogue, not computer-generated cartoons with sound effects. His scripts have words with more than two syllables, no car chases, and no characters that defy the laws of physics. And although Harry's films always make money, it's not the kind of money that gets the attention of today's Hollywood latte-sipping power brokers, trend chasers and re-booters. Be that as it may, Harry is happy in his little patch of Filmland, turning out his yearly movie for a small but dedicated audience. Harry has only two real problems. The first is the twelve year-old studio heads who consider him an extinct species and are reluctant to distribute his product. The second is his four ex-wives, all of whom have tried to kill him at one time or another. And as our story opens, one of them finally gets the job done...