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A lyrical singer sings, in an undisciplined register, in several television appearances. She is Natalia de Andrade. Natália feels misunderstood in her greatness because she is, after all, bigger than Maria Callas. There are more deluded divas around the world but none are like her. But who was this woman? In her diary, she confesses that she had an unhappy childhood: her father and mother were constantly at odds and music became her refuge from sadness from an early age... A cult has developed around her, with variations: the public knows her as an echo of a humorous imitation, classical musicians as an object of fascination. But this cult is based on the character Natália, knowing the person was never a priority.