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“I should like to make films that are not lowering to the spirit. A new building can be very harrowing, I should like to give people a chance to whistle”. Jacques Tati, considered the king of French comedy, was a talented Parisian mime, director, actor and screenwriter. From the early 1930s to the mid-1970s, he captivated audiences with his mastery of pantomime and slapstick, creating a unique and captivating filmography. His crowning work was the Oscar-winning "My Uncle" (1958), a showcase of his unparalleled talent, as well as his masterpieces "Mr. Hulot's Vacation" (1953), "Playtime" (1967) and Trafic (1971). Tati's film legacy, consisting of seven short films and six feature films, embodies his comic alter egos, reminiscent of comedy greats such as Buster Keaton and Charles Chaplin. Visionary in form and a keen observer of modern life, his works offer a profound insight into the evolution of society and the human condition. With a silent camera that meticulously captures the graceful, almost dancing movements of extraordinarily expressive characters immersed in magnificent sets, along with minimal dialogue and an emphasis on sound effects. Tati's films mirror post-war France, capturing its social, economic, and human dimensions and deftly critiquing bourgeois society and the march toward modernity. From satire to apocalyptic visions, his narrative remains authentic and offers poignant commentary on individual alienation in mass society.