Marcel Ophüls

Marcel Ophuls (actually Marcel Oppenheimer) is the son of the famous German film maker Max Ophüls. He spent his formative years in Hollywood, briefly served with a U.S. Army theatrical unit in Japan in 1946 and then attended the University of California, Berkely. In 1950, already a naturalized French citizen since 1938, he moved to Paris to study philosophy at the Sorbonne. He dropped out, however, once the opportunity arose to work in the film industry as an assistant to Anatole Litvak and Julien Duvivier. After collaborating on his father's film Lola Montès (1955), Ophuls met the French actress Jeanne Moreau who agreed to put up the money for his own project, the detective comedy Banana Peel (1963), a Franco-Italian-German co-production, starring Moreau and Jean-Paul Belmondo. It was aptly described by a reviewer as "a cheerful and inventive film with some inspired dialogue". His next venture, the thriller Fire at Will (1965), was rather less successful. Ophuls then worked for three years on The Sorrow and the Pity (1969), a controversial documentary which criticised French collaboration with Nazi Germany during World War II. A further anti-war documentary, The Memory of Justice (1976), ran into legal problems and bankrupted Ophuls. After a four year hiatus, much of it spent on the lecture circuit, he resumed making documentaries and won an Academy Award for Hôtel Terminus (1988), the story of Gestapo chief Klaus Barbie, from innocent childhood to war criminal. Ophuls has served on the board of the French Filmmakers Society. His more recent documentaries have examined investigative journalism and the impact of Germany's reunification.