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Sergei Parajanov

Sergei Parajanov

Director | Writer
Date of birth : 01/09/1924
Date of death : 07/20/1990
City of birth : Tiflis, Georgian SSR, TSFSR, USSR [now Tbilisi, Republic of Georgia]

One of the 20th century's greatest masters of cinema Sergei Parajanov was born in Georgia to Armenian parents and it was always unlikely that his work would conform to the strict socialist realism that Soviet authorities preferred. After studying film and music, Parajanov became an assistant director at the Dovzhenko studios in Kiev, making his directorial debut in 1954, following that with numerous shorts and features, all of which he subsequently dismissed as "garbage". However, in 1964 he was able to make Shadows of Forgotten Ancestors (1965), a rhapsodic celebration of Ukrainian folk culture, and the world discovered a startling and idiosyncratic new talent. He followed this up with the even more innovative The Color of Pomegranates (1969) (which explored the art and poetry of his native Armenia in a series of stunningly beautiful tableaux), but by this stage the authorities had had enough, and Paradjanov spent most of the 1970s in prison on almost certainly rigged charges of "homosexuality and illegal trafficking in religious icons". However, with the coming of perestroika, he was able to make The Legend of Suram Fortress (1985), Ashik Kerib (1988) and The Confession, which survives as Parajanov: The Last Spring (1992), before succumbing to cancer in 1990.

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beaver

beaver

Local LegendInked Explorer

Interview with Zara Jian: Sergei Parajanov Takes Us to the Present

In March 1965, “Shadows of Forgotten Ancestors” had its world premiere at the Mar del Plata International Film Festival. It was Sergei Parajanov’s debut feature drama, but the director himself couldn’t attend. Known for his eccentric genius and strong personality, the then-40-year-old Parajanov declared excitedly, “I will go to Argentina and never return to the Soviet Union.” Predictably, given the restrictions of the Soviet era, he was denied a visa to Argentina. Poster of “Shadows of Forgotten

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Interview with Zara Jian: Sergei Parajanov Takes Us to the Present
marvelousmars

marvelousmars

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The Colour of Pomegranates : Poetry and Cultural Loss

The Colour of Pomegranates came out of nowhere for me. I came across it on a list of films about poetry, and after seeing some of the stunning images from the film, I decided to give it a shot. The film is incredibly experimental, a biopic without any tangible narrative, making it hard to put into words exactly how it felt to watch it. Ultimately, the best way to encapsulate the film is by saying that it is a spectacular view into the life of a poet, not by telling his story but rather by convey

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The Colour of Pomegranates : Poetry and Cultural Loss

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